he Canadian musician Jim DeJong (ex-The Infant Cycle) continues to splinter and perplex his discography, releasing mini-works under different monikers: The Sand Rays, San Andreas, Sand Ra, etc. And we are making already the second attempt to collect these sprawling entities under a single cover after the CD "Remembered Vol. 1 (EPs gathered together)" in 2017: zhelezobeton.bandcamp.com/album/remembered-vol-1-eps-gathered-together
This time Jim doesn’t reveal the list of tools that he used, but we know his passion for recycled sounds of shortwave radio, household appliances and malfunctioning electronics. His music is like ghostly monochrome corridors and sound tunnels which often end with sudden turns and dead ends. It is like endless fields of inner calm, woven from reverberations and atonal textures, giving way to mysterious several second-long cuts in which seemingly almost nothing happens. It is like a quiet psychedelic introversion, a contemplation of bitcrushed emptiness, a parallel existence in intangible layers of space.